Most woolcraft people prepare sheep fleece by carding it, but the historically important craft of woolcombing offers the opportunity to produce a yarn that is more lustrous and hard-wearing.
This workshop was to have been led by Jaquie Teal, whose husband Peter almost single-handedly revived hand woolcombing. Unfortunately, because of Peter's illness, Jaquie was unable to present the workshop, and Ulrike Bogdan took over, helped by Welmoed Perrin.
Ulrike gave us a potted history of wool preparation, explaining the difference between woollen and worsted, and provided instructions on how to sort and scour a fleece ready for combing. Since most people don't have a set of English Wool Combs, the workshop concentrated on using alternatives, such as dog combs and hand-held combs
Ulrike's Gotland locks: combing removes short fibres and aligns the wool
Gotland locks before combing
First pass with dog combs, short fibres removed
Elizabeth Chin: Combing Mohair
Mohair locks and the dog comb Liz will use to prepare them
Combed mohair
Waste short fibres
Mary Bosworth-Smith: Merino Wool
Merino locks lashed on the comb
First combing
Dizzing the fibres to make a top
Erika Hollingdale: Suri Alpacca
Fibres lashed on to the comb
After first combing
Drawing a top
Completed top, showing the wonderful lustre
Mary Bosworth-Smith: Blending colours on the combs
Romney, Bluefaced Leicester, alpacca, mohair and silk
The individual colours
Fibres laid out for blending
First blending
Final blend
Drawing through the diz
Completed nests
Katherine Montgomery: Scottish Blackface wool prepared using dog combs
The wool was quite matted at the butt end
Combed locks and roving